September 9, 2015

Man Sized Cider Pants, with matching Cap


Riding high on the success from making Buster a pair of cider pants from well used cider pressing cloth, I decided to make a pair for myself. I've been feeling like it would be great to have more than one pair of pants suitable to wear out of the house. The last pair of pants I made myself took about 2 years, but I am getting better and faster when it comes to making clothes. Buster's pants only took me like a month, and the process of making pants was fresh in my mind.



Becky convinced me to throw out the last pair of commercially made pants I was milking along for occasional dirty work. They were heavily patched, but when the patches started pulling out the tissue thin base fabric at their edges, I moved to duct tape. By mass I bet they had more duct tape than fabric. Problem with duct tape is that is doesn't come through the wash too well. Anyway, these went in the trash finally.



Pants
I started with a new pattern, which might have been a mistake. I felt my other pair of pants ended up being rather loose fitting, which was ok for the material and style, but I thought it would be nice to have a closer fitting option. And while using my other pants year round has awakened me to the surprising benefits of wearing wool in the heat of summer, a complementary set of trousers in flat cotton cloth was appealing. Plus, in my dream world my whole family would show up at Cider 11 (or 12?) in matching clothes made from old press cloth.

Rather than using a draft this time, I just sketched a pattern from some body measurements and first principles. Like: 95cm waist, so 2x front plus 2x back pattern must = ~97cm, and so on.


 I took this approach on Buster's pants and the last few things I've made and it has been working out well. This time I must have been temporarily insane and somehow reached a decision not to make a muslin, even with a new pattern. Madness! Looking back at the pattern in my pictures now, it seems obvious that it is too small in the above crotch point area and thighs areas for my figure, just given the proportions of the leg vs. hip width on the paper. Note to self: make muslin for new pattern!



So I just thought I would breeze through to cutting the pieces for the real garment and leave some extra at the outseams and seat for fitting. Patched holes in the press cloths made it tricky to lay out the pieces in a fabric efficient arrangement while keeping them both with grain line parallel to the selvage.





 After cutting, I lined the outseam edges with black hug snug binding, intending to flat fell the inseams. Flat fell is overall probably less work than binding both sides of a seam. For a double sided bound and sewn seam the way I do it, I need to do 5 separate stitch and press operations. Flat fell cuts this down to 2, with some extra work of trimming and folding. One downside, which I could appreciate keenly later on in this project, is that it is a lot more annoying to rip down and resew a flat felled seam to fix mistakes or improve fit, and part of flat felling is trimming the seam allowances in a way that limits future adjustments severely.

I made up the pieces for front pockets and a button fly and attached them. Last pair of pants taught me to use outside cloth for the outside facing piece of the button fly, even though it should ostensibly be covered after final assembly. Also used cider cloth for the entire inner side of the pocket bags, to simplify pocket construction. The bags run all the way from side seam to the fly, and finally I feel like the pocket bags are big enough. For the lining pieces of the fly, pockets, and waist band, I used silk Fuji Broadcloth. I folded down and topstitched the outer edge of the pockets, to keep the lining from showing.

While I'm not opposed in principle to back pockets, I simply don't use them much in practice so I tend to leave them out when sewing pants. My experience is that either I smoosh whatever is in there, or it uncomfortably jabs me in the bum when I sit down.

Buttonholes were made on the Singer 99, and most everything was done with Mettler 623 Silk-Finish cotton thread. I've given up on Tire brand silk thread. It is very nice stuff in some ways, but it's shortcomings have become too much for me:
  • only available in tiny spools
  • #50 just a bit small for my taste. They have #30, but it's cost/meter and short length on a spool are discouraging.
  • It is not color fast in regular laundry. I've had two garments get horribly stained by color coming out of the thread in the wash. So annoying! Maybe it is color fast with dry cleaning, but I don't believe in dry cleaning barring exceptional circumstances.
The lower fly buttons are from the second hand bin at Sew Low in Cambridge, while the waist and suspender buttons are from an ebay vendor.


Lately I have moved to sewing on buttons exclusively with Kevlar thread.



A 600 meter spool of Tex 160 size PVA bonded thread from the discount section of Thread Exchange should last me the rest of my life. I had tried silk thread, silk buttonhole twist, and regular weight polyester and cotton thread. Nothing seemed up to the rigors of high strain locations, especially suspender buttons with non-elasticated suspenders. The Kevlar is ridiculously strong, so provided I get it tied off well at beginning and end, 3 or 4 loops around a button will hold it successfully. If I ever bought another spool, I'd go for a little lighter thread since this one can be hard to get through the eye of a needle.

After sewing up the inseam and outseam on each leg, I lined the two seat seam edges individually with hug snug. This is worthwhile to do because it is guaranteed that I will be adjusting this seam for fit.

Just trying on the legs before sewing the seat seam, I could see there was going to be a big problem; these were way too tight in the thigh, hips, and to a lesser extent the waist. So I ripped down the outseams and re-did them while reducing the seam allowance as much as possible in the tight areas. Drat! Still not enough. As a more involved solution, I made a strip of cloth to put into the outseam to expand it by a further 3cm. I applied it in the seam so that the strip maintained a constant visible width showing on the outside. This way it (almost) could pass as a design feature, rather than a clumsy remedy to my hubris at the pattern stage. 


Putting one leg inside the other, I sewed the seat seam. Things were looking pretty good, but the seat seam needed some refinement, especially at the back waist. As Becky says, it looks like someone could come up and dump a pot of soup down my pants. Now I think of the word "soupcatchers" as a synonym for home made trousers.


I put on the waist band, then decided the waist needed to come in some more, so I ripped it out and redid it at the center back. 



Nonwoven medium weight sew in interfacing was used in the fly layers and the waistband. I am happy with the level of stiffness in these pieces. Mostly I stitched it to the seam allowances. 

The waist band was first stitched at the top edge right sides together, then pressed and aligned before getting stitched down by ditch stitching from the outside of the garment. I wanted to try a split waistband at the back with a whale tale design. This allows me to easily show off my tramp stamp when I'm wearing these shirtless. Ha ha, kidding. I just think that back detail looks cool.


The curtain attached to the lower edge of the inner waistband is also Fuji Broadcloth silk. Should have made the inner waistband cidercloth a little longer so the ditch stitching would land all on cidercloth.



Some hand work finished things up at the top of the pants.



I put in some bar tack type reinforcements at points like the bottom of the fly, bottom of pockets, the crack of the whale tale, and around the silk waistband curtain at seam allowances to hold it down.



After making up the suspenders, I marked and hemmed the legs by stitching them down in the machine. Not very sophisticated, but ok for the style of these trousers.



Suspenders
For Buster's pants, I made the suspenders from 38mm wide black elastic with sewn on leather ends. This worked out pretty well, so I thought I would try it for myself using 50mm material. My W&W D9 can stitch fine through this weight of leather, but it usually comes out looking bad. I think the material feed doesn't work that well on leather, which results in the stitch width being uneven. Also, the stitches tend to come out at edges unless specifically reinforced by hand work through the same holes. So on these suspenders I tried the idea of straps being terminated at stainless steel loops from Strapworks, then using separate and detachable leather straps to go from loops to waistband buttons.



This has the additional benefit of being easier to adjust (by making new leather straps longer or shorter).

On the whole, these were quicker and easier to make, and are holding up better than the non-elastic ones I made from ribbon for my wool pants. The elastic does improve comfort and reduces stress considerably on waistband buttons and other elements of the trouser retention system. I sew together the straps at the X where they cross in back, which helps massively with straps falling off shoulders.

The leather pieces were cut out with scissors and razor knife from 1.4mm (3/4oz) veg tanned strip. The button holes were cut with a 3mm tissue punch and slit with a razor. They got slathered with kitty bar and rotated through an oven still warm from bread baking. It is amazing how much grease new veg tanned leather can soak up.

I'm much happier with this suspender construction method than any I've used previously.


Cap
I thought it would look cute to have a matching cider cloth cap to go with these pants, with the thought of perhaps making up caps for the whole family in future.


Using the pattern I made for my last hat, I cut out some pieces. The inner cap is made from scraps of washed canvas I had around, stiffened with a layer of medium weight nonwoven sew in interfacing.


The outer layer is cidercloth, with both top and bottom of the brim in the same. After finishing the last hat, I felt the brim could have been stiffer, so this time I used a piece of paperboard inserted between the two brim fabric layers (cut from a Cheerios box). I topstitched around the edge of the brim; probably catching some of the paperboard. 

The felt I used to make the previous version of this hat was very forgiving; it could be convinced to stretch or contract, or mold differently, with the iron and some steam. The woven cidercloth fabric was tougher to work with in this regard. Seam allowances also created some extra difficulty in this version. On the plus side, I could use the machine to do much of the sewing. 


To join the inner and outer cap layers at the edge, I made a band from cidercloth. This was sewn at one edge to the outer cap, then folded in and pressed over the edge of the inner cap. Topstitching around the perimeter from the outside held down the band and secured all the layers. I should have cut this band on the bias because when I folded it in, it of course developed a ton of wrinkles from extra material.


 A little handwork wrapped things up. 


The kids approved and asked me to make them their own cidercloth caps.


It's not perfect and is a little on the snug side since I hadn't counted on the extra inner band at the bottom edge. But I think it looks pretty sharp when paired with cider pants.


Despite being almost exactly the same as the last hat, Becky thinks it looks weird. When I finished it around 10pm one night last week, I wore it while eating a bowl of spicy ramen noodles in my underwear at our kitchen counter. For some reason, she couldn't stop laughing! Maybe she was remembering a joke someone had told her earlier in the day.... certainly couldn't be me! Possible explanations for the different look include the fact that it is closer to skin color and that it tapers at the top slightly more than the wool one.

Of course I'm going to wear it anyway. I consider myself lucky that my wife is willing to appear in public with me.




Review
These pants are actually very comfortable to wear, and fit nicely. I was expecting much worse when I was in the midst of desperate measures to expand the seams. So a great addition to my wardrobe. I've doubled the number of pants in my closet. Boo-yah!


Here I am just after finishing the pants (before the hat was done), heading to our neighbors' house for dinner, bottle of cider in hand. The pants are complemented with a simple white shirt I made a while ago, and my multiply re-soled summer size wood shoes.




Dang, these pants make my bum look cute, right?

8 comments:

Bill M said...

Great work! Those pants look like they will last through decades of outdoor work.
I am extremely sewing challenged. Re attaching buttons is about the extent of my sewing talent.

Peter Lappin said...

The pants look great and your "save" was brilliant. I think the whole outfit is wonderful and I know you will wear it proudly, as you should.

Alex Carr said...

Come on now, wearing the cap in your underwear while eating a bowl of ramen. High comedy. The pants really do look good. Great color and in some of the photos the fabric looks a little like suede. The tuxedo stripe down the side looks good in a non-formal pant too. Sometimes a mistake can lead to an unexpected improvement.

Julie said...

Yes, your bum is cute and so is your personality! Good job!

John Yingling said...

You are a resourceful and clever gentleman to try and make from scratch your own pants. However, your original pattern needs a bit of tweaking. Most obvious is the the front and back rise portions are symmetrical, the human body in that area is not. The back portion needs to be longer than the front to accommodate the curvature of the "bum," and the center back seam needs to be sloped upward, not strictly vertical. That is why you had to make extensive revisions at the back seam. Also the final back view shows the back crotch immediately diving in, again because of the lack of proper shaping in the back rise. Again, a valiant effort, especially with excellent construction, but you may want to research some pattern drafts for men's pants.

mssewcrazy said...

I had to laugh at the duct tape ones being tossed. It is funny how we can get so attached to wearing something and hate to let it go. I am wearing something at home right now that needs to hit the trash can but hate to let it go despite having sewn it. Lol! I like what you have put together here and am interested in suspenders on something for my youngest gs. I am thinking some elastic ones and some washable ultrasued maybe would be really cuter than making overalls and more functional. The cider pants make me think of something between khaki fabric and the heavy canvas overalls so may make gs something similar. I have always liked khaki as it goes with everything and doesn't pick up lint like so many pants fabrics do.

Holly Gates said...

Thanks for the comments everyone.

@JohnYingling:
The back pattern piece rise actually is angled rather than vertical, and the length along the back crotch seam is longer than the front by quite a ways. The waistline of the back pattern is slanted from center back to side seam. But looking at the pattern, these effects do seem less pronounced than patterns I've made from drafts. Clearly I am not yet to the point where I can draw up a pattern from measurements without a draft to to follow. But I will also say the last pair of pants I did, which was from a draft still needed extensive fitting at the back crotch seam (fitting is another area I would really like to be better at).

Anyway, I appreciate you taking the time to write me with such detailed and constructive feedback. Hurray for the internet.

turkeysong said...

Awesome project! Personally I don't get along very well with sewing machines, so I"m impressed :)