November 15, 2015

Foraging the Minuteman Bike Path - Fall


Ah fall. The absolute best season in New England, and it is an especially nice time to be out on the Minuteman bikeway. The weather first moderates, then becomes crisp, and finally downright cold. The trees drop their colored leaves on the pavement. And there are plenty of good things to eat!

November 7, 2015

Cider 11: Blockbuster year for apples leads to ~1100 Liter cider day


Another wonderful year of cider, and a record breaker for quantity. Ben's writeup is here.


Apples
This has been an amazing year for apples, at least in Massachusetts and Maine. All kinds of trees from grafted and indulgently raised orchard trees to scraggly survivor seedlings in the woods were loaded up with maximum crop.

As usual my family went picking at Red Apple Farms in Philipston, MA.


We picked about 40kg of excellent tasting Roxbury Russets off a tree up past the pumpkin patch which is rarely bothered by other u-pickers.


Maybe they think this apple is too ugly? My kids all declared that Roxbury Russet is now their favorite apple.


They had previously said that about Honeycrisp! The RR from this tree did taste especially fine this year.

The kids do like the barbecue lunch, goats, hay rides, and cider donuts at RAF. We also picked our pumpkins for jack-o-lanterns.


But every year it seems to get a bit more crowded and circus-like. Becky and I are reluctantly thinking of trying someplace else out next year...

We walked across the street and picked about 40kg of Rhode Island Greenings, on the theory that we are usually short on acid with the hard cider mix and would be more so if we used Dabinett rather than Kingston Black. Greenings should bring some more acid in, though the quantities we pick on this outing are more symbolic than substantial.

Later on at home we turned some of our Greenings and Rox. Russetts plus some loose extras into pie fillings for the freezer.



A fair bit of watercore in evidence this year from a number of sources; I wonder why?


Next up, I arranged for two bins (540kg) of seconds from Autumn Hills, which we have done for a few years now. The owner, Ann, was happy to oblige and Ben met me there to pick up the apples in his red truck one friday morning. The bins were full of a nice mix of Macs, Macoun, Spencer, Honeycrisp, Cox, Yellow Delicious, and others. There almost a bushel of pears mixed in too. Here is Ben loading a bin into his truck, while eating an apple.


That same weekend, Ben drove to Poverty Lane in New Hampshire to pick about a bunch of Wickson, Bramtot, Kingston Black and others, plus most of a bin of Dabinett.

This would already be a lot of fruit, but Ben's parents picked a huge amount of wild and feral apples from around Georgetown island in Maine, and many people showed up to the event with significant quantities of apples.

So all in, we probably had close to 1600kg of apples.


Cider
Apple processing flow and machinery were almost the same as last year, with enough hands to man all stations. The process begins with debinning and organizing which apples will go in when. Little kids like to help with loading from the bins.


The biggest labor sink at present is the washing and trimming we do before the apples go to the grinder. Often we have 6 or more people on this.


Working with bare hands in cold water to wash and trim apples or washing bottles outside is crucial but tough, especially when the weather is cold.


Grinding needs 4 people, two for providing pedal power, one to load apples, one to feed them with a pusher stick.


Pressing uses 4 or 5 people. Two people to load macerated apple mush into cheeses, one person to ride the hydraulic power bike, one to hand operate the bilge pump to move cider from the output catcher into the conical bulk tank. Extra people to help unload pressed pomace out the window into the bucket of the waiting tractor, more people to bottle from the bulk tank.


We set up Ben's nifty double barrel counterpressure bottler and all the associated equipment to move what was left of the 2014 hard cider from carboys into cornelius kegs to be chilled and force carbonated, then through the counterpressure rig into mostly 750ml glass bottles with crown caps. Much cider was bottled before the capper broke and we had to leave a half tank for next time. I brought a bunch of labels printed last year with adhesive applied, but we didn't even have time to put them on.

As a result of the ridiculously profuse apple year, we had a lot of apples, and a lot of cider. Ben pressed (ahem) everyone to take as much cider as they could home, but we still had a surplus. So more is getting fermented than usual, and the rest got stuffed into freezers. Here is the Wilkins party with a wagonload of cider to load in their car.


Analysis
Ben got a refractometer this year, which was cool to use. It will be interesting test and pay more attention to sugar content of various kinds of apples and juice blends. Auto correct on Ben's phone refused to let him use "refractometer" in a text to me, instead making it into "refract omelet" and then "refract Peter".

At Ben's prompting, I picked up some narrow range pH paper from the brew store to try to get a better handle on acidity.

We measured apples from one unmanaged tree in Five Islands at 22 Brix! These were gathered by Ben's dad from a tree near Indian Point, and were great looking smallish russets. Nice texture too. Ben thinks it must be a seedling because of the tree location, though the apple made me think of the descriptions I've read of Pomme Gris. The clean look of the fruit, high Brix, and good eating make me want to graft it into the micro-orchard in Somerville at some point. I think Ben said he already put some on a tree at his place near Portland.

The two bulk tank blends measured out as:

Hard Blend
3.8 pH
1.055 - refractometer (13.6 Brix)
1.053 - hydrometer

Sweet Blend
3.5 pH
1.048 - refractometer (11.9 Brix)
1.050 - hydrometer

I didn't write down the Brix numbers, but instead read the density scale on the instrument so we could compare with the hydrometer readings. The Brix numbers above are generated from this online calculator.
The difference in pH was readily apparent by taste, and the hard blend did taste sweeter though it is not easy to decouple the two dimensions of sweetness and acidity. Of course the hard mix had noticeable tannin, but not an overpowering amount.

Besides acid and sugar, the third major component in a hard cider blend we spend mental energy thinking about is tannin. Not nearly as easy to measure. But I did turn up a procedure online using indigo carmine dye and potassium permanganate, called the Lowenthal Permanganate Titration. I looked up the chemicals at Sigma-Aldrich but they were expensive and not trivial to place an order for. But ebay came to the rescue and I got both critical ingredients for less than $20 from Online Science Mall. It also calls for sulfuric acid, but I am hoping I can substitute a more readily available acid or else get some locally.


Press Cloth
This year we replaced the motley assortment of old press cloths with new ones of uniform and correct size to make press loading more convenient, and so we can use the old set to make awesome clothes. I wanted to have done more with this already, but so far I've only got it together enough to make Child 3 and myself a pair of pants, plus a cap for me. Becky used a little cidercloth to be the wings for Child 3's flying vampire mouse costumer for Halloween too. She did an awesome job on costumes. The only thing I did this year was make a mouse tail for Child 3's costume out of cider cloth scraps.


I'm hoping to show up to cider one of these years with matching outfits for the whole family! Here is a photo by Eerik Hantsoo of me in my cider dyed outfit peeling apples for crisp with Child 2.


For new presscloths, they needed to be about 120cm square (48") and fairly stout to survive the pressure in a single layer configuration. I bought and hemmed one cloth worth of three different weights of unbleached cotton canvas for evaluation, 10oz, 12oz, and 14oz, all from Fabric.com. For reference, Carhart overalls are listed on their website as being 12oz. After feeling the fabrics, we determined that 12oz was probably the way to go, so I bought a long piece of that and turned it into 7 press cloths with some ironing, washing, and hemming. We put the 10oz and the 14oz into service too, to see how they did. We had one rupture, and it was in the 10oz cloth. So that is not sturdy enough for single layer service.

A few edge finish styles were evaluated (I don't have a serger, having given mine away as part of a resolution to use only antique human powered sewing equipment). I tried rounding the corners and binding the edge with Hug Snug rayon seam binding fed through a binder foot. This was ok, but time consuming and prone to error. I also tried binding the edges of another cloth with bias cut silk ribbon. This too took a lot of extra time. So the default solution of a double fold over and stitch down was selected for most of the cloths.

I also made up a double length cloth from white 6oz poplin from Dharma Trading Co., intending for it to be used folded in half. The thinking was that in it's second life, 12 oz press cloth will make nice heavy duty pants, but be rather coarse for little dresses and finer garments. Anyway, due to oversight that piece of cloth didn't make it into the rotation, which Ben realized on Saturday night.

There are a number of open questions about the nature of the deep golden brown the old press cloths have taken.

How wash fast will the color be?
So far Child 3's pants have been put through a regular wash and dry cycle a number of times and while the color has shifted, it has not yet faded. It has gotten less reddish yellow and more brown.

How light fast?
Not sure on this one, but I've worn my pants maybe 20 times so far and so far they are holding up.

How long does it take the color to develop?
The cloths we used for the first time this year already have pretty good color, though probably not as deep as the old set. I'm sure it partly depends on the weave and weigh of the base fabric.

Could the color be developed without actually using it as press cloth?
To address this question in a year of surplus cider, Ben tried dunking the forgotten 6oz cloth (which he refers to as "future ladies undergarments") in a tub of sweet cider. It turned a sort of butter color, which is appealing, but not the color of even the once used press cloth.


We speculated perhaps it has to do with the cycling in and out of cider with some oxidation in air in between. Ben took the length of cloth in and out a few times, but it didn't seem to change the color much.

My current mental model is going in the direction of the high pressure transmission of cider through the cloth being important. Maybe minuscule bits of material which later act as pigment are forced deep into the fibers as a result of many liters of cider passing through the cloth under pressure. What is surprising is that they don't necessarily come out in the wash... but we don't have long term observations on that quite yet.


Food
Food was wonderful as usual, with black bean burritos being served up in the barn on Friday night, breakfast burritos on Saturday morning, and Nebraska cream can for lunch. My family signed up to make the bulk of dinner on Saturday as we usually do, but we have gotten lazier than in previous years. We did a repeat of the meal from last year because it was good to eat, made good leftovers, and was relatively easy to make. Dinner consisted mainly of cornbread, chili, and apple crisp.

A neat addition to the pedal powered menagerie in Five Islands this year was a Country Living grain mill Ben had purchased to mill up a bunch of seed gathered from buckwheat he had grown on the orchard as a soil improving cover crop. I had not seen one in person before but the Country Living mill is a quality item and does it's job much better than my old CS Bell Co. #2 (though mine looks awful nice as a decoration in my foyer when I'm not using it). The CL mill came with a V groove sheave on it as the handwheel, so it was practically begging to get a bike hooked up.

The manual cautioned against running the mill too fast, so we decided to run the bike chain up to a freewheel on a jackshaft, then from a V groove pulley on the jackshaft to the mill. This allows adjusting the gearing ratio more easily, though without a derailleur it is still no picnic to change the ratio on the bike chain side. I found a company online called Staton which sells the crucial item needed for hooking bikes up to arbitrary machines for power input: a keyed shaft to freewheel adapter. For about $10 I had one in hand within a week. It didn't feature a set screw, so I got cheap aluminum shaft collars to go on either side of if from McMaster. Between Ben and I we had rounded up all the necessary machine parts to make do the project prior to arriving at cider.

Dave had knocked together a wood stand for the bike and mill, and a number of us mounted the mechanical components and had it running reasonably by late morning on Saturday.


Joshua and Ben W. even fit it up with a basic guard to avoid snagging passing toddlers (not yet in place in photo below).


We first ground up the soft white winter wheat for cornbread, then the blue flint corn. The corn was passed through once with the burrs far apart to crack it, then again with a finer setting to make cornmeal.


Emily, Ben, Kelsy, and a few others then dehulled the buckwheat and ground the groats using the CL mill.



More details at Ben's blog. Child 1 wanted to keep the buckwheat hulls to make a pillow. We ate 100% Five Islands grown buckwheat pancakes on Sunday morning, with Five Islands blueberries and home made maple syrup. Outstanding accomplishment!

Adjusting last year's cornbread volumes resulted in two trays of cornbread which fit perfectly in my trays and made enough for dinner on Saturday and lunch on Sunday. This recipe is for ONE pan, so I made two of these in two bowls to go in two pans.

- 900g corn
- 450g wheat
- 140g whole chia seed
- 220g sugar (might reduce this next time)
- 72g baking powder
- 32g salt
- 1.5 cups (28 TBS) unsalted butter
- 9 eggs
- 1600g whole milk

Grind grain, mix up dry ingredients. Work in room temp butter. Add wet ingredients, mix, dump in parchment lined and greased pan. Bake for about 45 minutes at 200C (400F), until a tester in the middle comes out clean. Crust will be deeply brown.

Becky made 8 recipes of her regular veg. chili, which was enough for dinner and not quite enough for lunch on Sunday.




For crisp, we used a 20L bucket of mixed apples from Ben's orchard at Five Islands. Super cool that these trees are beginning to kick out some useful amounts of fruit! They were a little tricky to peel in my Reading patent antique peeler because they had dimples and blemishes.


But they tasted great, if a bit on the tart side in aggregate. There were a bunch of Redfield in there, which lent a neat color, but are very tart and some might have felt a little more sugar wouldn't have gone astray. The cored and sliced apples were divided among 6 pans with no extra sugar beyond that in the topping, just some cinnamon sprinkled on.


The topping was equal volumes of flour, brown sugar, butter, oats, and nuts. About the equivalent of 12 pie pans worth; Becky thinks she used 8c of each of the 5 ingredients. There was even some leftover for breakfast on Sunday.


Scene
Friday night was cold and windy, so dinner was burritos cooked and served in the big barn. We kept a fire burning most of the night in our cabin, but it got pretty brisk in there when the fire died. Saturday started out cold but got to be fairly nice later on with the sun shining.


My kids took my camera and ran around for a while.


 It was fun to see the pictures they took.








It makes total sense given their height, but kids seem to spend a lot of time looking at bums.



One thing that made staying at the lower cabin more convenient was a little porch potty we made from scrap wood to accompany a 20L plastic bucket, for people to pee in at night without having to walk over uneven ground in the dark to the outhouse. Here is Child 3 putting a coat of finish on it with grandma.


We probably had too many apples for our current cider setup. There was still more fruit to process by dinnertime, whereas in other years the apples were done in the afternoon and there was time to clean up and hose out the barn before dinner. So the flow of activity was more frenzied and less smooth, and went on for longer. Ben and a few others were up late cleaning up Saturday night, with some rain expected Sunday morning. Activity was so intense that there was no chance to take a music playing break.

Sunday we ate leftovers in the barn and did some more cleaning up. Packed the Zipcar minivan absolutely to the brim and headed back to Boston.


Brewing
We made a lot of cider this year and there were maybe a few less people than in some times gone by. I ended up taking home more cider than usual to try to make a dent in the excess. I rented a minivan from Zipcar to be able to take my mom, who was visiting, and all our stuff. On the return trip I had extra plastic carboys under people's feet, all the spaces around and under seats were stuffed with 2L bottles of sweet cider. Becky and the kids ran around the neighborhood making some sweet cider deliveries on Sunday night, and I had to pack the freezer pretty tight with the remainder. A couple jugs came to work with me to share.

The cider for fermenting went into my glass carboys after I got home and had sulfite put on them. I took an extra plastic 20L jug of cider, so all 7 of my glass carboys are going to ferment. I'll have to get an extra to allow racking to secondary fermentation (or maybe use a sanitized empty corny keg).

A small jug of sweet cider was boiled, cooled, then put into a 2L bottle with a pack of the yellow label Pasteur Champagne yeast and topped with an airlock.



Monday night I divided this starter among the 7 carboys and installed airlocks on all of them. I left a halogen work light on for a few hours under the carboys to take the chill off and help them get started. A couple of the carboys are off to a slow start and one has a whitish skin on the top of the liquid. I dumped another pack of yeast in these; have to see what happens in there. Maybe greater volume of starter next time.



Another great year of cider! Thanks to everyone who helped it happen, most especially Ben and his family.

September 9, 2015

Man Sized Cider Pants, with matching Cap


Riding high on the success from making Child 3 a pair of cider pants from well used cider pressing cloth, I decided to make a pair for myself. I've been feeling like it would be great to have more than one pair of pants suitable to wear out of the house. The last pair of pants I made myself took about 2 years, but I am getting better and faster when it comes to making clothes. Child 3's pants only took me like a month, and the process of making pants was fresh in my mind.



Becky convinced me to throw out the last pair of commercially made pants I was milking along for occasional dirty work. They were heavily patched, but when the patches started pulling out the tissue thin base fabric at their edges, I moved to duct tape. By mass I bet they had more duct tape than fabric. Problem with duct tape is that is doesn't come through the wash too well. Anyway, these went in the trash finally.



Pants
I started with a new pattern, which might have been a mistake. I felt my other pair of pants ended up being rather loose fitting, which was ok for the material and style, but I thought it would be nice to have a closer fitting option. And while using my other pants year round has awakened me to the surprising benefits of wearing wool in the heat of summer, a complementary set of trousers in flat cotton cloth was appealing. Plus, in my dream world my whole family would show up at Cider 11 (or 12?) in matching clothes made from old press cloth.

Rather than using a draft this time, I just sketched a pattern from some body measurements and first principles. Like: 95cm waist, so 2x front plus 2x back pattern must = ~97cm, and so on.


 I took this approach on Child 3's pants and the last few things I've made and it has been working out well. This time I must have been temporarily insane and somehow reached a decision not to make a muslin, even with a new pattern. Madness! Looking back at the pattern in my pictures now, it seems obvious that it is too small in the above crotch point area and thighs areas for my figure, just given the proportions of the leg vs. hip width on the paper. Note to self: make muslin for new pattern!



So I just thought I would breeze through to cutting the pieces for the real garment and leave some extra at the outseams and seat for fitting. Patched holes in the press cloths made it tricky to lay out the pieces in a fabric efficient arrangement while keeping them both with grain line parallel to the selvage.





 After cutting, I lined the outseam edges with black hug snug binding, intending to flat fell the inseams. Flat fell is overall probably less work than binding both sides of a seam. For a double sided bound and sewn seam the way I do it, I need to do 5 separate stitch and press operations. Flat fell cuts this down to 2, with some extra work of trimming and folding. One downside, which I could appreciate keenly later on in this project, is that it is a lot more annoying to rip down and resew a flat felled seam to fix mistakes or improve fit, and part of flat felling is trimming the seam allowances in a way that limits future adjustments severely.

I made up the pieces for front pockets and a button fly and attached them. Last pair of pants taught me to use outside cloth for the outside facing piece of the button fly, even though it should ostensibly be covered after final assembly. Also used cider cloth for the entire inner side of the pocket bags, to simplify pocket construction. The bags run all the way from side seam to the fly, and finally I feel like the pocket bags are big enough. For the lining pieces of the fly, pockets, and waist band, I used silk Fuji Broadcloth. I folded down and topstitched the outer edge of the pockets, to keep the lining from showing.

While I'm not opposed in principle to back pockets, I simply don't use them much in practice so I tend to leave them out when sewing pants. My experience is that either I smoosh whatever is in there, or it uncomfortably jabs me in the bum when I sit down.

Buttonholes were made on the Singer 99, and most everything was done with Mettler 623 Silk-Finish cotton thread. I've given up on Tire brand silk thread. It is very nice stuff in some ways, but it's shortcomings have become too much for me:
  • only available in tiny spools
  • #50 just a bit small for my taste. They have #30, but it's cost/meter and short length on a spool are discouraging.
  • It is not color fast in regular laundry. I've had two garments get horribly stained by color coming out of the thread in the wash. So annoying! Maybe it is color fast with dry cleaning, but I don't believe in dry cleaning barring exceptional circumstances.
The lower fly buttons are from the second hand bin at Sew Low in Cambridge, while the waist and suspender buttons are from an ebay vendor.


Lately I have moved to sewing on buttons exclusively with Kevlar thread.



A 600 meter spool of Tex 160 size PVA bonded thread from the discount section of Thread Exchange should last me the rest of my life. I had tried silk thread, silk buttonhole twist, and regular weight polyester and cotton thread. Nothing seemed up to the rigors of high strain locations, especially suspender buttons with non-elasticated suspenders. The Kevlar is ridiculously strong, so provided I get it tied off well at beginning and end, 3 or 4 loops around a button will hold it successfully. If I ever bought another spool, I'd go for a little lighter thread since this one can be hard to get through the eye of a needle.

After sewing up the inseam and outseam on each leg, I lined the two seat seam edges individually with hug snug. This is worthwhile to do because it is guaranteed that I will be adjusting this seam for fit.

Just trying on the legs before sewing the seat seam, I could see there was going to be a big problem; these were way too tight in the thigh, hips, and to a lesser extent the waist. So I ripped down the outseams and re-did them while reducing the seam allowance as much as possible in the tight areas. Drat! Still not enough. As a more involved solution, I made a strip of cloth to put into the outseam to expand it by a further 3cm. I applied it in the seam so that the strip maintained a constant visible width showing on the outside. This way it (almost) could pass as a design feature, rather than a clumsy remedy to my hubris at the pattern stage. 


Putting one leg inside the other, I sewed the seat seam. Things were looking pretty good, but the seat seam needed some refinement, especially at the back waist. As Becky says, it looks like someone could come up and dump a pot of soup down my pants. Now I think of the word "soupcatchers" as a synonym for home made trousers.


I put on the waist band, then decided the waist needed to come in some more, so I ripped it out and redid it at the center back. 



Nonwoven medium weight sew in interfacing was used in the fly layers and the waistband. I am happy with the level of stiffness in these pieces. Mostly I stitched it to the seam allowances. 

The waist band was first stitched at the top edge right sides together, then pressed and aligned before getting stitched down by ditch stitching from the outside of the garment. I wanted to try a split waistband at the back with a whale tale design. This allows me to easily show off my tramp stamp when I'm wearing these shirtless. Ha ha, kidding. I just think that back detail looks cool.


The curtain attached to the lower edge of the inner waistband is also Fuji Broadcloth silk. Should have made the inner waistband cidercloth a little longer so the ditch stitching would land all on cidercloth.



Some hand work finished things up at the top of the pants.



I put in some bar tack type reinforcements at points like the bottom of the fly, bottom of pockets, the crack of the whale tale, and around the silk waistband curtain at seam allowances to hold it down.



After making up the suspenders, I marked and hemmed the legs by stitching them down in the machine. Not very sophisticated, but ok for the style of these trousers.



Suspenders
For Child 3's pants, I made the suspenders from 38mm wide black elastic with sewn on leather ends. This worked out pretty well, so I thought I would try it for myself using 50mm material. My W&W D9 can stitch fine through this weight of leather, but it usually comes out looking bad. I think the material feed doesn't work that well on leather, which results in the stitch width being uneven. Also, the stitches tend to come out at edges unless specifically reinforced by hand work through the same holes. So on these suspenders I tried the idea of straps being terminated at stainless steel loops from Strapworks, then using separate and detachable leather straps to go from loops to waistband buttons.



This has the additional benefit of being easier to adjust (by making new leather straps longer or shorter).

On the whole, these were quicker and easier to make, and are holding up better than the non-elastic ones I made from ribbon for my wool pants. The elastic does improve comfort and reduces stress considerably on waistband buttons and other elements of the trouser retention system. I sew together the straps at the X where they cross in back, which helps massively with straps falling off shoulders.

The leather pieces were cut out with scissors and razor knife from 1.4mm (3/4oz) veg tanned strip. The button holes were cut with a 3mm tissue punch and slit with a razor. They got slathered with kitty bar and rotated through an oven still warm from bread baking. It is amazing how much grease new veg tanned leather can soak up.

I'm much happier with this suspender construction method than any I've used previously.


Cap
I thought it would look cute to have a matching cider cloth cap to go with these pants, with the thought of perhaps making up caps for the whole family in future.


Using the pattern I made for my last hat, I cut out some pieces. The inner cap is made from scraps of washed canvas I had around, stiffened with a layer of medium weight nonwoven sew in interfacing.


The outer layer is cidercloth, with both top and bottom of the brim in the same. After finishing the last hat, I felt the brim could have been stiffer, so this time I used a piece of paperboard inserted between the two brim fabric layers (cut from a Cheerios box). I topstitched around the edge of the brim; probably catching some of the paperboard. 

The felt I used to make the previous version of this hat was very forgiving; it could be convinced to stretch or contract, or mold differently, with the iron and some steam. The woven cidercloth fabric was tougher to work with in this regard. Seam allowances also created some extra difficulty in this version. On the plus side, I could use the machine to do much of the sewing. 


To join the inner and outer cap layers at the edge, I made a band from cidercloth. This was sewn at one edge to the outer cap, then folded in and pressed over the edge of the inner cap. Topstitching around the perimeter from the outside held down the band and secured all the layers. I should have cut this band on the bias because when I folded it in, it of course developed a ton of wrinkles from extra material.


 A little handwork wrapped things up. 


The kids approved and asked me to make them their own cidercloth caps.


It's not perfect and is a little on the snug side since I hadn't counted on the extra inner band at the bottom edge. But I think it looks pretty sharp when paired with cider pants.


Despite being almost exactly the same as the last hat, Becky thinks it looks weird. When I finished it around 10pm one night last week, I wore it while eating a bowl of spicy ramen noodles in my underwear at our kitchen counter. For some reason, she couldn't stop laughing! Maybe she was remembering a joke someone had told her earlier in the day.... certainly couldn't be me! Possible explanations for the different look include the fact that it is closer to skin color and that it tapers at the top slightly more than the wool one.

Of course I'm going to wear it anyway. I consider myself lucky that my wife is willing to appear in public with me.




Review
These pants are actually very comfortable to wear, and fit nicely. I was expecting much worse when I was in the midst of desperate measures to expand the seams. So a great addition to my wardrobe. I've doubled the number of pants in my closet. Boo-yah!


Here I am just after finishing the pants (before the hat was done), heading to our neighbors' house for dinner, bottle of cider in hand. The pants are complemented with a simple white shirt I made a while ago, and my multiply re-soled summer size wood shoes.




Dang, these pants make my bum look cute, right?